Category Archives: Writing

This is the post where I tell you to quit your job and shell out spectacular amounts of money and fly to California

Pulp-O-Mizer_Cover_ImageThat’s right, it is CLARION APPLICATION TIME.

What is Clarion? Clarion is a competative-entrance, six-week residential workshop for writers of science fiction and fantasy. Because the fates are kind, there are TWO Clarions, West and East. Because the fates are also unkind, they are both on the west coast of the US. Thanks, Fates.

So uh, why should you care about this workshop? Why am I telling you to apply for it? Because this workshop is amazing. I got to go and I wish wish wish I could go back.

You spend six weeks focusing on nothing except writing. Your cleaning is done for you. Your cooking is done for you. (Though it might be best not to be too picky.) Your loved ones are kept far away. You still have to shower yourself.

You spend every morning in critique session, discussing the strengths and weaknesses of particular stories, you spend your afternoons and evenings reading and writing, and you spend your free time hanging out with writers. Including the six instructors of the workshop– did I mention the instructors? For Clarion East, the instructors are Andy Dunca, Nalo Hopkinson, Cory Doctorow, Robert Crais, Karen Joy Fowler and Kelly Link. For Clarion West, the Instructors are Elizabeth Hand, Neil Gaiman, Joe Hill, Margo Lanagan, Samuel R. Delany and Ellen Datlow.

Look at that instructor list for a moment. Consider that these people are going to read your work and critique it. Consider when else in your life Cory Doctorow is going to read and critique your work. Very good. Now apply.


Apply to Clarion East (in San Diego) here. Deadline for application is March 1st.

Apply to Clarion West here. Deadline for application is March 1st.

My recaps of my experience with Clarion are here. It’s cool! Go read them! There are pictures…


I am hardly the first person to tell you to Apply To Clarion. In fact, this post is getting dangerously close to the application deadlines, because I am awesome at time management, and you’ve already heard the positive points a hundred times. But because this post is so late, I get to see everyone respond to other people’s posts, and because of that I will use this space to address some concerns about the workshop I see raised. Mwahahahaha.

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Things I learned about writing in 2012

Okay, so I just wrote a post in which I explained why I did not write in 2012. This is the other part of that post, the “things I learned about writing in 2012″. Surprisingly, despite not doing any, I actually did learn about writing. This is because I can’t stop thinking about story. Everything that goes through my head is run through a “how does this work with writing” filter. In about August, I figured that my failure to write meant that I couldn’t call myself a writer any more. I’m still not sure that I should be introducing myself as such, but I did realize that I’m still very interested in the creation of books. So I shan’t give up yet.

Without further ado, the grand list of things I learned about writing in 2012, set down here for the sake of my memory and perhaps for your enjoyment. (These are all personal notes, they may or may not work for you, ifiwms, ymmv, etc.)

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… and then of course my next novel idea is “magic just happens” fantasy/sf…

That should teach me to spread opinions around like gospel.

But on my gosh, you guys, identity crisises, and university-age protags, and trains and castles on hillsides and castles in the AIR and awesome robes and a dragon or something and statues and art and food and underwater passages, and secret cross-faculty friendships and romances and abandonment and friendship and this magic system is setting my head on fire.

It’s basically a cross between a Harry Potter fanfic, a Diana Wynne Jones fanfic, a Percy Jackson Fanfic and fanfic of my own nine-year-old self. So I guess the things that never changes are the entire unsell-ability of my ideas, and their UTTER AWESOMENESS.

ETA: Dude, and SPIES, you guys. SPIES.

ETA2: The story just acquired Oxford and a body count among the main characters.

In which I think too much and end up deciding to not think any more. (About some things.)

My siblings are visiting me, so I’m showing them all my favourite places around town! The library, the other library, the place where I pick up books, and the store which sells books. (Don’t look now, you guys, but I think I may have a one-track mind.)

At any rate, while cruising the shelves at the library, I noticed something which I found odd. It is really hard to find Science Fiction written for kids. Even the bargain bookstore doesn’t stock it. There are SCADS of fantasy books, and those are vastly outnumbered by the historical fictions. The mystery section is tiny, and even that eclipses the SF books I found.

As soon as I found that I started poking around more, and something else interesting came up. Of the Fantasy books, most of them were very “soft” fantasy, where things are “just magic.” The mystery section– as mentioned– was tiny. What SF there was tended to be YA Dystopian where the world was taken, never explored. In only a small segment of the fiction for kids was there any kind of joy in technical thought, science or in a rigorous attempt to understand how things work. (In most of the YA science fiction and fantasy, while learning was necessary, it was horrible. e.g. you think your life is okay but the truth is that EVERYONE LIES TO YOU and also your dad kills babies. Etc.)

I am very fond of historical fiction, and of soft fantasy. I think these tell awesome and necessary stories. However, I also really enjoy books that have elements that talk about economics, and repercussions, and the interconnectedness of everything, and tactics, and science, and logistics (honestly, I nerd out over F/SF books with logistics in them. It’s kinda embarrassing), and rules of succession, and virology, and all the things which make up “how things work”. I love the struggle to acquire and use knowledge as a story arc. LOVE IT.

I have read a lot of posts about the importance of diversity and inclusivity in terms of gender, class, culture, body type, race and sexuality. And on the whole, I agree with these posts. If you are going to all this trouble to write an awesome story, why would you cheapen it by showing a world less rich than the one we live in?

Indeed. And why would you cheapen your picture of the world by leaving out the absolute awesomeness of the way things work?

If your answer is saying that learning belongs in the classroom, not for fun, or that learning is for non-fiction, not for fiction, I ask you to look at that answer and think about it for a bit. Perhaps modify “learning” so it reads “learning about culture” or “learning about gender” and then think about it a bit more. Why should enjoying learning about how other people live be a worthy goal, and enjoying learning about how to get

I mean, not all stories in life are about learning. There are stories about relationships, and about journeys, and about courage. But I think if when writing fiction we nearly leave out stories about learning– or (also importantly though this post is already too long) if we don’t allow stories to be about BOTH relationships and learning, or BOTH learning and a journey– we impoverish the stock of stories in fiction. We say that you can’t be both interested in the way things work AND interested in the hero’s journey to save her mum.

I’ve been (primarily subconsciously) caught up in thinking to trend, for the last little while. Of the stories I wanted to write, I wanted to focus on the ones that would sell, that people would want to read. I was polishing up my marketable ideas, and trying to fan a fantasy world into flame, and looking for validation that my planned stories would be sell-able. However, according to the libraries around here, there’s a gap between what I love to write and read and what “other people” love to write and read, and I think this gap is a problem.

I have decided to thumb my nose at “other people,” and view this as a niche that needs to be filled.

So in the future I am going to fly in flagrant disregard of trend and what is “sellable,” and do my best to write awesome stories which include the awesomeness of learning how things work. Maybe Science Fiction, maybe Historical Fiction, maybe Fantasy. Maybe I’ll be the next Hunger Games, or (more likely) maybe I’ll never get more than a form rejection. :P

But by golly, I’m going to have fun doing it.

Changing My Stance; or why I will be going to the business meeting at the Hugos.

In case it wasn’t glaringly obvious from my other posts, I am a baby F/SF writer. And in an effort to make friends and influence people (and buy cupcakes and listen to amazingly clever people talk on panels and make a fool of myself in a public space,) I am going to Chicon this year! It’s in Chicago, and I’m actually staying in the conference hotel (with excellent people) and I am very excited.

As an attending member of the conference, I was eligible to nominate for the Hugo awards, which meant that in January I was carefully making a list of all the novels and short stories I had read in the past year (and for the Campbell, past two years), measuring them against each other, and filling out my ballot.

To be honest, I did fill out the ballot with the kind of giddy excitement you feel when you are finally part of the club and people take your opinions seriously. But I feel like that any time I get to vote. LOOK AT ME I AM AN ACTUAL ADULT FUNNY CAT SHIRTS NOTWITHSTANDING. Oh, okay you need to see my photo id, that’s fair. SEE I AM OF SOUND MIND WHOO. I may have been one of the only people to legitimately try to convince my peers to vote with the argument “but it’s so fun!”

Yesterday the Hugo nominees were announced, so of course my twitter feed went absolutely insane. I am gleefully delighted that two of my Clarion instructors are nominated, John Scalzi for Shadow War of the Night Dragons: Book One: The Dead City: Prologue, and Kij Johnson for The Man Who Bridged the Mist.  The stories are awesome (though spectacularly different) and I know who I’m cheering for in their categories.

As the excitement continued, however, I noticed that it was only a certain sector of my feed lighting up with congratulations and counter-congradualtions and glee. The sector which writes books for “grown-ups.” None of the YA writers of Science Fiction or Fantasy were involved in this conversation.

I did not expect this.

See, I write YA Fantasy/Science Fiction. So when I go to the book store, I check out the YA section. (It’s usually near the front.) And then I go to the Science Fiction and Fantasy section. (Usually near the back of the store.) I knew that the books I liked were located in two different sections, but I considered that more of a fortunate shelving plus (two sections to browse! awesome!) than a sign that these were extremely different genres. I considered YA F/SF to be F/SF, albeit F/SF that dealt with themes of becoming and coming of age, strongly character-centred, and with maybe a bit more romance. But it’s just a flavour of the grander line of Fantasy/Science Fiction, right?

According to the voters of the Hugo awards, it’s a lesser flavour of the tradition. There is not a single book, novella, novelette, related work, short story, or etc on the ballot that could be termed YA. The only place where there is some cross-over is in the editorial side, where several of the editors have also worked with stories for the teen market. The ballot draws a line between the YA stuff and the Good stuff.

So I thought about that for a bit.

I think I should emphasis again that I am very surprised. I am new to considering the industry, but the people I follow all seemed to be interested in reading in more than one section of the bookstore. I got into Clarion with two stories that were YA, and for goodness sake, the anchor team at Clarion this year is two best-selling YA authors (Cassandra Clare and Holly Black). I had not before noticed the signs that my genre was not considered as “good” as those books in the grown-up section.

If there had only been one YA book on the ballot (or one story from a YA anthology), I think I wouldn’t have surprised at all. I mean, it is quite clear that some compelling story lines when you are 15 fail to be as compelling when you are 35 or 40. Twilight, for example. Very effective when you are not allowed to drive yet. Less wonderful to read when you are a bit older. But to have no YA represented at all?  That makes me think that the voters just aren’t reading in the YA section. Even when you look back at other years of hugo nominees, the only ones that made it to the list are books that would be cross-shelved in the adult section, like books by Cory Doctorow.

I mean, last year we had The Freedom Maze come out, a moving and spectacular inditement of racism’s multitude of forms. It happens to be shelved in the YA or MG section. Red Glove, a FREAKING AWESOME book with con men, spectacular magical and political systems, twisty romance and death. Bumped, a scathing and hilarious critique of the reproductive underbelly of modern religion’s focus on purity and secular society’s focus on sexuality. 2011 saw the release of Chime and The Demon’s Lexicon and Goliath and The Girl Of Fire And Thorns and The Boy At The End Of The World. None of them made it to the list. And I think that to have not one of these books even nodded to by the ballot is to have a poorer ballot.

I had heard people say before that the Hugos should include a YA ballot, but I had thought that was rather silly. Wouldn’t they be included in the regular ballot of novels, short stories, novellas and novelettes? Why would they need an extra category?

Because, it seems, nothing found in the kids section is worthy of making it onto a list of best F/SF of the year. It has to be put on a separate list of best TEEN F/SF. I can’t say that I’m delighted to finally figure that out. I liked it better when I thought I was a full member of the club. However, if making a new list, is what it takes to get people to recognize the awesomeness that is going on at the front of the store, I am all for it.

Also, let’s face, it, this way we get twice as many nominees to squee over and fete, and the possibility of more authors and therefore fans coming to the con, and GENERAL AWESOMENESS. What’s not to love?

Adventures in Research

As I was looking for a term to sum up what I’ve been doing with research, I realized the best one I could think of is “fun”. I have been having fun with research. Some of it has been straight up gleeful fun, and some of it has been more challenging fun. For example, in the former case, I realized that a feature of my technology was incorrect and I had to add cranial computers (which are AWESOME), while for the latter I realized that an entire massive section of my plot was based on science I had learned from tv detective dramas. This science was– unsurprisingly– not exactly accurate. (I’m fixing that with my knowledge of pediatric care. LIKE A BOSS.)

Anyhow, fun is being had. I get to look up all kinds crazy factoids and then file random pieces away, and think about future tech and call it work. I think I’m still filled with delight because of the part where I am thinking about space stations and magnetic trains a lot.

Anyhow, in the course of my research I came across some interesting articles about culture. The first was “We’re All The Same Deep Down,” talking about how while that is technically true– all people have hopes and fears and dreams– it’s often used to assume that all peoples and cultures are the same (read: North American). Oh yes, your culture out there is DIFFERENT, but that really just means you use different spices, yes?

No. The differences between cultures go deeper than spices and funny names. North American does not mean default.

And then I came across another post in a similar vein, the “Is Military Science Fiction Nationalistic,” which analyzes how different cultures’ approach to warfare and aggression– what warfare is for– changes the stories they tell.

At this point I was starting to psyche myself out a bit. AUGH WHAT IF I FAIL TO WRITE A COOL STORY WHAT IF I ONLY WRITE A CANADA IN SPACE AUGH I FAIL. And then two things happened. 1.) I decided that Canada in space would be pretty darn awesome. (I do love my country, after all.) And 2.) I found this amazing, delightful, fills-me-with-glee site, “How To Tell If You’re American.” It breaks down facets of american culture which– inside the states– you take for granted as default life. But there are also other “culture tests” (how to tell if you’re Scottish and how to tell if you’re Indian, for example), which show the defaults of other nations, thereby showing how many things are actually different.

I’m a fan of this site.

So yes! I’m having fun, learning new things, and psyching myself out daily. YOU SHOULD JOIN ME IN THIS FUN TIME.

Change of writing plans.

As of this morning, my plan was to write two novels this year. They are both ideas I’ve sat on for years, so I figured it would be hard, but doable. And I’d done a bunch of brain-storming on my world building, I was working on character sketches, i was READY TO WRITE.

And then I read an article about funeral traditions in the Victorian era, and realized no, I was NOT ready to write. I have a lot of research to do. I have so much research to do that I am downgrading my objective from two novels to one.

This is what I am looking into;

  • Death, Morning and Grief in various cultures
  • Honour, Politeness and Face in various cultures
  • The concept of formality vs the concept of affection in various cultures
  • Pandemics, reaction to
    • societal reaction to population devastation
    • political reaction to population devastation
    • economic reaction to population devastation
  • Amnesia
    • Construction of identity and gender
    • examples of what is retained and what is lost
    • face blindness
  • Blindness, Deafness and Paralysis in children due to accident or illness
  • Cultural and historical significance of
    • food in various cultures
    • education in various cultures
  • Factory Culture
  • Shipyard Culture/Airports.
  • Maturity in various cultures.
  • Con men
  • Virology
  • Physics
    • Yes, I’m still building that space station.
I once wrote a blog post about how it was better to write Science Fiction or Fantasy instead of contemporary fiction, because instead of doing research you can just make stuff up.
See, it’s things like that which let me know that I’m getting better.
In other news terrified because I really don’t know how to research this stuff. On the one hand, societal and historical importance of food in Hong Kong, Ireland, and Mainland China, I can probably find at the library. On the other hand, construction of gender and identity in children affected by amnesia?  NO SWEET CLUE. Time to be very glad that I’m going to live on a university campus, where I can go live in the psychology/history sections.
P.S. I also choose to write this MG novel first, because “it will be simpler.” HAHAHAHAHAH oh Jasmine. Oh Jasmine you are so not wise.

Clarion Week 6: in which we stumble across the finish line and wish the marathon was twice as long.

Heading out to the ocean

Week Six! The last week before I was thrust out into the cruel, uncaring world. The week when I realized that there was an ocean I could go heal my soul with RIGHT THERE, and the week when I got my feet put underneath me again by my classmates, and the week when I realized that this workshop wasn’t the pinnacle of my writing journey (with everything downhill from here,) it was a beginning.

“You wrote a story about a man who drowns a fish. Good job.”
-Gill

Yeah, remember how last week I was despairing about ever being able to plot well and write like a grown-up? This week it was pointed out to me by several people that I was 22, with plenty of time to LEARN. I kinda clued in that I could rest, and let things percolate through my subconscious, and work on my skills and knowledge. I didn’t have to have it all in hand right yet.

“Self-loathing is not a good career path.  Cut yourself some effing slack.”  ~Kessel

I also slept a lot more, which helped.

Mark turned in his story for the last Friday. He slept significantly less.

(Side note; this did not actually take place at Clarion, but once I had left there, I listened to some people conversing, and I was utterly shocked to realize that they weren’t discussing writing. And worse, they were talking about it like it mattered, in a serious conversationI just didn’t understand. I still don’t understand. It’s a trip to Disneyland, not a novel!)

So, on this final week I had my retelling of Eros and Psyche critiqued! This was slightly awkward in the classroom because a.) I’d run out of time and energy and literally left out half the story, and b.) I was the unwitting perpetrator of that story that happens every year, the “I never really thought about it as rape before” story. Oops. (I’m sorry, everyone. And I’m gonna re-write that story and yeah. Sorry, everyone.) But on the non-awkward side, the general consensus was that my prose was SO MUCH BETTER. So, y’know, I curled into a ball when it was over and went HAHAHAHAHAHAHAHA ICANSTOPWRITING AHAHAHAHAHA oh I am so sad now. What should I do? How do I feel? How do I hands? How I can? I cannot can. Words gone. Words all gone. Ocean now?

Ocean

You think I make a joke. I do not make a joke. That is the actual level of my language ability. I wrote a journal entry which reads.

“Went death-mobile story kit.

Ocean with Gill, mark, Chris, Todd.

Social Crit Session

Drank Beer– not good.

YOU DID NOT NUDIST BEACH.”

Clarion– it will ruin your capacity for language.

Josh must now join the conversation!

But inability to talk notwithstanding, the last week of Clarion was strange and amazing. We were becoming aware that we had been living in a state which most people would classify as “not the real world” and as we turned in our last stories day by day and looked around, we didn’t want it to end. I mean yes, there was some significant missing of family and significant others going on, but giving up this for the daily grind was not appealing.

“Tim will call you and be like ‘Send Lawyers, guns and money.’”
-Josh

So we went to the ocean a lot, we hung out in the common room, we chatted and ate cupcakes and drunk tea and whiskey and wrote messages in each other’s books and took pictures and packed up and went to crit session and told each other we were awesome and made promises to keep in touch. My memories are all coloured with sorrow, but I’m pretty sure that’s the nostalgia talking.

Dying Brooke’s hair.

Becky can’t operate in these conditions!

Our group was entirely composed of introverts (what writing group isn’t,) and we were voluntarily spending as much time as possible together. There were trips to Sprinkles Cupcakes! There was ritual emptying of all the alcohol bottles which couldn’t be brought on a plane. There was the last trip to Mysterious Galaxy, where Kij read Story Kit, and like the week before, when Kessel read from his upcoming novel, I forgot to despair at how GOOD they were and how bad I was and just gloried in all the beautiful words.

“The class of Clarion 2011 had better be a courteous class or I’ll kill you.” -Kij

(Btw, Mysterious Galaxy is the bookstore where we went every week for readings. I come from a small town, so the idea that there are bookstores entirely devoted to Spec Fic was a REVELATION to me. I restricted myself to one new book a week, which was very, very hard. The staff was also amazing and kind and basically I’m a fan. If you’re in San Diego, go!)

Walking back from the ocean.

Saying goodbye is never fun to do.

And then we all had to pack up and fly home.

“It’s not that Burger King is salvation, but it’s reality.” -Kessel

If you want to apply to Clarion you can do that here. Should you apply? Clarion isn’t for everyone. It’s six weeks, which is a lot of time, and it’s five thousand dollars, which is a lot of money. However, there are scholarships for poverty and talent, (I got a “I work minimum wage jobs” one,) and six weeks is less than the time most jobs will give you for mat leave. IF THEY WON”T LET YOU TAKE THE TIME OFF YOU DON”T WANT THAT JOB ANYWAYS. *Jasmine Hast SPOKEN*

“You disappointed me, I thought she was going to be naked under the butterflies!”
-Chris

In addition to the time and money budgeting, Clarion is also difficult emotionally and mentally. Even critique from very kind people who are your friends can be hard to take when you don’t have the opportunity to make it good, and you know that you COULD, if you just had more TIME.

I took this picture!

It is personally hard for me to take it when people say that ANYTHING is wrong with what I’m doing, as I have a strong attachment to being perfect, so it is a testament to the group I was in that I was able to take critique as well as I did. Add the strain of critique to the strain of all the writing and critical reading that is expected of you, and it is very tiring.

Bolander: “I want to eat the effing prose in this with a spoon.”
Chris: “You can’t eat it, it’s mine. I’m eating it.”

I’ve tried to be honest about the ups and downs of the experience in my recaps. (Other posts about Clarion, including my post about being accepted and other weekly recaps, can be found here.) In my mind, the positives of the experience wildly outweigh the negatives, and I say this as someone who is going to be working a 14 hour day today because I had to go quite far into debt to swing the cost of the workshop.

The last lunch, posing with the cafeteria staff.

If I could go again I would be applying this weekend and crossing my fingers even HARDER than I did last year. People have gone at ages 17 and at “more than 60,” people have traveled from Australia and the UK and Canada and from in San Diego. It’s my opinion that Clarion is AWESOME and I’d really, really encourage anyone who wants to be a writer to become part of that group.

Gill, Kessel and Mark.

Yeah, I want to go again.

“Excellent first draft, what a giraffe, covered in nanobots.”  ~Worrad

Clarion Week 5: being a tale of hysteria and despair.

Week 5. Oh, week 5. Week 5 was the hardest week. More on that in a minute. But first– QUOTES OF HILARITY. Because seriously, we were all comedians in week 5.

(I’m censoring the quotes, cause my little sister reads this blog. I’m sure you can infer what they were originally.)

“I wrote this story to let you know I’m a bigot.”
-Jim B.

.

“I really want to commend this story for being sentient.”
-Todd

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“You keep using single quotes when they should be double quotes. It’s all over page 7. Everything single quoted there should be changed to double quotes. I don’t understand why people keep doing this. You keep doing this and I’ll kill you.”
-Kessel

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Josh: Someday 20 years from now you’re going to look back at your Clarion stories and go “what the eff was with all the bees?”
Becky: “No actually, I’ll be the author of my bestselling zombie bee series, reminiscing about at its genesis. ‘Ah yes, I remember it well.’”

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“I refer you to Jasmine’s ‘look of death’.”
-Josh

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Josh: “This is not the first day for this biscuit. It’s a bit-” *bangs it against a plate*
Chris: “That’s not a biscuit, that’s hard tack!”
Jasmine: “It’s supposed to be eaten soaked in bacon grease.”
Someone: “It would probably taste better soaked in bacon grease.”
Josh: “Yes well, what wouldn’t?”
Tim: “Don’t say that. In this crowd, someone will take it as a challenge.”
Josh: “That’s true. With our luck, one of the stories this week will be titled: the thing that does not taste good soaked in bacon grease. If we’re lucky it’ll be written by Jim. If we’re unlucky it’ll be Dennis.”

.

Kessel: “That is a effing useless comma. I want to kill you for that comma. You’re going to hell for that comma. You know who does this? Effing journalists!”
Kessel: (Later) “I have to do this every once in a while. To exercise my adrenal gland.”

.

“Oh my god the verbs Todd!”
-Wonders.

.

“That sentence was just full of words.”
-Annie

.

“Story in which you get to the end and nothing happens- you stole my trick.”
-Chris

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“I wrote ‘Effer’ in tetris blocks, so there you go.”
-Bolander.

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Re: Erin’s orgasmic spaceship story:
Jim B.: “I thought the pace quickened really well.”

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“This is the happiest ending to a Laika story I’ve seen, until I write my space opera in which Laika is irradiated, becomes a superhero, and returns to Earth to avenge herself on her Soviet oppressors.”  ~Josh

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“Space whales having sex is three awesome things that go together awesomely.”  ~Kij

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“The official Clarion 2011 mascot: NARWOLVES.” ~Josh

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“Don’t pretend to be a normal person.  That’s…that’s just a bad idea.”  — Kim Stanley Robinson

Weeks five and six are presided over by an anchor team of two authors, and our anchor team was Kij Johnson and John Kessel– both of whom are unremittingly awesome. The title of this blog comes from the talk which Kessel and Kij gave us on their first day. Kij said;

“You’ve all demonstrated that you have a lot of talent to get this far. Do not waste your talent on trivial stories.”

That was the theme of their week, telling us that we had the talent, and we could do better. Strive for MORE. Do BETTER.

John Kessel sees all that you did and did not do, and he's now going to tell you about it.

Kij Johnson. All shall love her and despair.

But yes, the emotional low which was week 5. This was for a couple of reasons. A component was the fact that I was going for Monday crits, which meant that I turned in my sixth short story on Sunday night. Given that my first new story had been turned in for a Friday crit on week 1, I wrote six short stories in four and and half weeks. I’m not saying that to brag– I know a lot of people write faster than I do, and they weren’t long stories anyways– I’m just saying the word part of my brain had moved past IGNITION to smouldering weakly.

Another component was emotional. Despair, to pinpoint the emotion. I’ll be honest, I nearly gave up on writing as a career in week 5.

A lot of that came from the whole “I am tired tired so tired” thing. Five weeks writing, editing and critiquing every day, plus a MAD WEEKEND at comic-con, plus fighting off the Clarion Plague. The tired made it very difficult to fight off the despair at a fundamental quality of my writing. Description can be added, world-building can be researched, prose can be revised. It is very difficult to fix plot. And I had been going into my personal conferences with the authors, and every time they pointed to plotting as my weak point.

A word about personal conferences. All Clarion students get an hour to talk to each author about anything they want. Given that we are at a workshop where we eat, sleep and breathe story, what we want to talk about usually comes down to writing. So I’d go into my personal conference, perch terrified on the edge of a couch, and the instructors would be massively kind to me. Maybe it was the tangible aura of fear I was giving off. But yes, I cannot stress enough how NICE all the instructors were to me.

And in the process of these talks, I would ask what I was doing well and what I could work on, and everyone said “well, your stories aren’t very original, are they?”

So yes. Five weeks of hearing this, and I just believed I wasn’t good enough to fix this. I was too young, too flawed, too unoriginal, too ignorant, too goofy, too poor. I was legitimately making plans to pack up my publication dreams and consider alternate employment, with writing on the sides.

So yes, if you go to Clarion, don’t expect it to be all sunshine and awesome. It is amazing, but it also holds you to a high standard– one I hadn’t been held to in the realms of writing before. It’s hard. It’s really hard.


Other posts about Clarion, including my post about being accepted and other weekly recaps, can be found here.

If you want to apply, you can do that here.

Clarion 2011, Week 4; in which we break quarantine.

Imma start with some quotes this time.

“You have wrung true pathos from giant metal spiders- a first in SF!”
-Josh

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“The medical and drug scenes were written cleanly, with an obvious comfort with your subject matter. As was the breaking and entering?”
-Erin

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Jake: “Name’s Jake. Been to jail.”
*Pause*
Durham: “But you were innocent, no doubt.”
Jake: “No. But I was a minor.

.

“Pedophile tornadoes creep me out. That’s something I never thought I’d be saying. Another thing I’d never thought I’d be saying; I thought the tornado’s personality could be developed more.”
-Dennis

If anyone reading this has ever done NaNoWriMo, you’ll be familiar with the week-four feeling. That’s when you’ve forgotten what life was before you weren’t in a gollum-like relationship with your laptop, and you’ve lost interest in food or showering. The only thing that matters is the word count. You have entirely lost all shame connected to the quality of your story, and you’re following the “when in doubt, include fight scene, drunk scene, seduction scene and/or torture scene” model in your Middle Grade novel. Week Four–when you no longer have the self-awareness to realize that what you are doing is crazy.

So week four is usually when Clarion goes MADHOUSE. There has been the tradition ever since the first year that week four is when water fights break out, real fights go down, and people dye their hair shocking colours.

Class of 2011, inveterate followers of tradition that we are, got sick.

Brooke, phlegmy but unbowed.

This probably helped to keep things appearing calm, because we really didn’t have the energy for full-scale battles of any kind. That doesn’t mean we didn’t flounce into crit session wearing the last shreds of our sanity like banners, we just did it quietly. Or at least my memory thinks we did it quietly. See above, the week-four-destroys-your-frame-of-reference-for-crazy. I wrote a story about a teenager who gets into a fight with a petulant mountain. Maybe I was giggling madly at all times, and I’d just accepted it as normal at that point.

Peta demonstrates the New Normal.

And yes, I wrote a story about rock-elementals. Everyone thought it was super original, which only proves that I’m the only one in the room who’d read Tamora Pierce like a mad thing. In terms of the stories I wrote, it was a mmm-okay week. In terms of the things I learned? OH MY GOSH WEEK FOUR.

The first HUGE THING was world-building. This week we were directed by David Anthony Durham. He writes Epic Fantasy and Historical Fiction, and teaches MFA students, and y’know. He won the Campbell. Man knows what he’s talking about. We talked about lit fic advances, and MFA programs, which was very interesting (if probably never going to apply to me). We also talked about research, which was not even a lightbulb moment for me. It was A CONCERT TOUR’S WORTH OF FLASH-BOMBS AT ONCE moment for me.

Classroom! I miss you, classroom. Classmates! I miss you even more, Classmates.

After four weeks in California, I had started to miss home. I am a northern, ocean-facing girl, and all the heat and blocky buildings and the subtle sense of dislocation was starting to wear on me. I hadn’t put my finger on it, I was just a little edgy. And then in class, Durham told the story of a student of his who had been writing a story set in ancient rome. (This was to demonstrate the possibilities of research.) In the story, a run-away slave was hiding as some guards passed by. And Durham stopped him there and said

“Look, you have an opportunity with this to really anchor the story. First of all, the guards aren’t going to be just generic guards in a generic outfit. They’re going to have a name and number of some kind, because the Romans loved special emblems for their soldiers. They’re going to have a standard, for example, and their uniforms are going to be significant, and they aren’t going to just be led by a Captain, they’re going to be led by a Lictor. He has a special title, he’s not generic western-european-leader. And he’s going to be carrying his badge of office– an axe surrounded by a sheaf of sticks– which is both his badge of office and what he users to dispense justice.”

(Yes, I just typed that from memory. Sorry for my memory’s grammar.)

There was more, in the talk, but at that point my head exploded with world building and I forget it. My recent sense of dislocation and eternal history-is-awesome and travel-is-awesome stances all came together in a perfect storm of OH EM GEE WORLDBUILDING I LOVE YOU. I was aware that places were different on a fundamental level– really aware– and treating places and times as though they were like mine– only with different window dressing– wasn’t going to cut it any more. I mean, I had seen the difference just in travelling within two very similar countries on the same timeline, think about the difference between my life and a world I was constructing!

I had liked world building before, from a “let’s add all the cool things and make it internally logical” way, but this shifted it from something I thought of as happening near the end, adding extra do-dads and curlicues to the plot, to something I thought of as happening first, hand-in-hand with the plot, informing and directing it. Setting as character and motivation and frame, instead of just decoration. It sounds rather dry to write it down here, but this was absolutely MIND-BLOWING for me.

Oh yeah, and the other mind-blowing thing was Comic-Con. (This post is too long augh sorry everyone I just have a lot of FEELINGS about this week!)

An average shot of the ComicCon crowd.

So yes, Comic-Con. One hundred and Fifty thousand people crammed into a single convention centre. Many of them are wearing costumes. Thanks to the generosity of a donor to Clarion and to Tim, one of my Clarionmates, I got to go on Friday, Saturday and Sunday.

I absolutely loved it.

I got to spend six hours on the dealer’s floor, looking at cool things and people in costume, and I got to go to all kinds of panels about books, and I bought three t-shirts and I got to go to a sneak peak of Avatar: The Last Airbender: Legend of Korra, and I saw even MORE young adult and middle grade authors do their thing in front of crowds.

Scott Westerfeld: "WALKING TANKS!"

Tahereh Mafi, Lainai Taylor, Stephanie Perkins, Amanda Hocking and Kiersten White.

Tahereh Mafi, Laini Taylor, Stephanie Perkins, Amanda Hocking and Kiersten White.

Even though I didn’t really know a lot of the references that were going on, I got enough to get by. And to be surrounded by people who were determined to be nice and to have fun, and who thought that “fun” consisted of being enthusiastic about books, movies, tv shows, comics and media? It was so much fun. My main regret is that I over-dosed on crowds so fast that I forgot to take pictures unless actively reminded– say by the noisy person next to me taking pictures, (the reason for the two pics above). There was a guy dressed as a LOCUST and I forgot to take a picture. Gosh, Self.

I took this picture before I burnt out! Go me!

So Comic-Con taught me that a.) there are LOTS people who like the same things that I do, and who like it with more energy than I, even. b.) knowing how to speak in front of crowds (see above, how I went to five author panels) is incredibly important and difficult and I should get over my crowd-terror, and c.) I should write middle grade.

This guy is awesome. No one is able to deny it and yet stand.

Oh, I didn’t explain that? Yes, you see, I was waiting to get into my last panel, and they said “there’s seats available if you want to go in for the one before it,” so I said “A chair? Thank you!” and sat down. It turns out it was a panel on writing for the Middle Grade audience, run by Mysterious Galaxy. (I also learned that if I am every invited to be on a panel by Mysterious Galaxy, I am ALL OVER THAT. They are pros.) So I wandered in, and once again, for the– I think it was the third time this week– my head exploded in a symphony of flash bombs. I had been trying to write a MG novel as YA edging into Adult SF, and it was ALL WRONG, and Middle Grade was AWESOME, and now I saw the way forward, and DUDE. Also, the MG panel, In contrast to the YA panel, was male-dominated. My competitive side came out and I was all I CAN WRITE ABOUT SHARKS TOO. ONLY I CHOOSE TRAINS AND ROCKETS INSTEAD. I THROW THE GAUNTLET. Only I really don’t throw the gauntlet, cause Greg van Eekhout was on that panel and he just got nominated for the Norton and he was very nice IRL and I throw no gauntlets in his direction.

See how that paragraph up there disintegrated? That’s about what my mental state was like after ComicCon. And I still had two weeks of Clarion left to go.

Being this awesome is tiring, you know.


Other posts about Clarion, including my post about being accepted and other weekly recaps, can be found here.

If you want to apply, you can do that here.

P.S. You want to apply.